Wednesday, May 13, 2020

Love Triangle in William Shakespeares Twelfth Night Essay

Love Triangle in William Shakespeares Twelfth Night â€Å"O, what a deal of scorn looks beautiful in the contempt and anger of his lip! A murd’rous guilt shows not itself more soon than love that would seem hid: love’s night is noon. – Cesario, by the roses of the spring, by maidhood, honor, truth, and every thing, I love thee so, that maugre all thy pride, nor wit nor reason can my passion hide. Do not extort thy reasons from this clause, for that I woo, thou therefore hast no cause; but rather reason thus with reason fetter: love sought is good, but given unsought is better.† (Shakespeare. Twelfth Night. 3.2.144-156). In Twelfth Night, Shakespeare was able to embody the perfect love triangle between Olivia, Orsino, and†¦show more content†¦It is here that I imagine Shakespeare was trying to fore-shadow future events. The audience may being to predict that Olivia would make rash decisions based on her blind love. In the next line, however, Olivia showed signs of her emotional dilemma. Guilt began to plague her thoughts for a fleeting moment. The reason for this shame was not entirely explained, but I believe it had everything to do with the death of her brother which was mentioned at the very beginning of the play. She was ashamed of falling into this lustful state of mind while she was supposed to still be in mourning. She noticed immediately after she hinted at her feelings for Cesario, the guilt surfaced. Olivia finished her thoughts of guilt with the line, â€Å"love’s night is noon† (3.2.148). There are various ways this could have been perceived. Shakespeare has a tendency to include immeasurable amounts of â€Å"images and metaphors†, and it’s important to keep in mind that with Shakespeare â€Å"greater sensitivity is always possible† (McDonald 37). I believe this was Olivia’s way of giving into the fact that her mourning gown was being cast off and it was out of her control, just as the day changes whether it is welcomed or not. 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